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C a p t u r i n g M o m e n t s . . . . .
Source: The-Digital-Picture.com & dpreview.com
Specifications:
The Canon EF 70-200mm f/2.8 L IS II USM Lens delivers exceptional image quality, focuses accurately very fast and has superb build quality, 4-stop Image Stabilization, weather sealing and a very useful focal length.
The Canon EF 70-200mm f/2.8 L IS II USM Lens is now my favorite and most used lens for weddings and Portraits. With a rounded 8-blade aperture, the Canon EF 70-200mm f/2.8 L IS II USM Lens delivers impressive bokeh, which was very good in this respect. With an f/2.8 maximum aperture over the entire telephoto focal length range, this lens is able to create a strongly blurred background and provides a bright viewfinder.
As you can see below , the higher the lines in a Canon MTF chart, the better the lens can be expected to perform optically. The Canon MTF chart comparison below shows an expected noticeable wide open aperture image quality improvement in the new lens.
The Canon EF 70-200mm f/2.8 L IS II USM Lens’ real world image quality and image quality improvement over the original version are impressive. The 70-200 f/2.8 IS II is very sharp wide open from the center of the image circle right into full frame corners at all focal lengths.The with-extender tests at 280mm and 400mm confirm this of course. Contrast is especially impressive from this lens – a noticeable improvement over the version 1 lens. Stopping down increases sharpness.
The Canon EF 70-200mm f/2.8 L IS II USM Lens is my first choice portrait lens. Full frame body owners will find the 70-200mm focal length range will allow full body portraits to tight head shots – and the improved MFD is especially noticeable when shooting full frame head shots. With IS, careful framing and low light shooting is easy.
With a wide f/2.8 aperture, fast AF and excellent wide open image quality, the Canon EF 70-200mm f/2.8 L IS II USM Lens is a great sports lens. Watch the pro photographers on the sidelines of your favorite sports event – most have a 70-200 f/2.8 hanging over their shoulder even if they are using one of the big guns as their primary lens. The 70-200 IS II frames sports figures best on large fields (soccer, baseball …) when used on an APS-C/1.6x body. An f/2.8 lens is marginal for stopping indoor sports action, but it will get the job done – especially if you have one of the latest DSLRs with great high ISO capabilities.
Conclusion
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The Canon 5D Mark III is the Best DSLR for Wedding Photography , packed with Awesome features
Source: techradar.com & dpreview.com
Key Features:
22.3-megapixel, full-frame (36.0mm x 24.0mm) CMOS Sensor
61-Point high-density reticular AF, 41 cross-type and 5 Dual cross-type points with customizable AF presets featuring from Canon’s revolutionary EOS-1D X
Up to 6fps continuous shooting
63-Zone iFCL Dual Layer Metering Sensor
Newly designed shutter is equally as durable and has been tested up to 150,000 cycles
Intelligent Viewfinder – Provides 100% field of view with 0.71x magnification
Native ISO 100-25,600 sensitivity & 102,400 (expanded)
Full HD video 1080p (24/25/30 fps), 720p (24/25/30/50/60 fps)
New 14-bit DIGIC 5+ Processor from Canon’s revolutionary EOS-1D X
Rugged Magnesium Alloy Body with Enhanced Weather sealing
More Rounded Improving Grip Holding
Multiple Exposure and High Dynamic Range (HDR) mode with presets
Dual CF and SD Memory Cards Slots
Clear View LCD Display Featuring 1.04-million dot, 3.2-inch (8.11cm)
Dual Axis Electronic Level
Max Image Size 5,784 x 3,856 pixels
New Rate Button
Optional Battery Grip BG-E11 – Features buttons and a multi-controller.
“The EOS 5D Mark III represents a big step forward for the EOS 5D series” – Source from Canon Europe. “The EOS 5D Mark II is an exceptional camera and we’ve listened carefully to feedback from its passionate community of users to improve performance in every area. This camera has been designed to meet virtually any creative challenge – it’s faster, more responsive and features the tools to adapt to everything from studio photography to creative videography, while producing results of the highest quality.”
Enhanced performance
With its comprehensively upgraded specification, the EOS 5D Mark III is the ideal tool for the growing number of photographers shooting both stills and movies. It incorporates a number of the features launched with Canon’s revolutionary EOS-1D X, providing vastly improved performance, flexibility, handling and durability.
The camera’s newly-developed 22.3MP full-frame sensor provides increased resolution and finer detail, enabling the capture of a wide range of scenes, from sweeping landscapes to beautiful portraits. Higher speed continuous shooting also offers expanded creative possibilities. With an increased 8-channel read out, the camera comfortably handles a maximum full resolution speed of up to 6fps in bursts of 18 RAW images or over 16,000 JPEG’s, without the need for additional accessories. Additionally, the sensor’s advanced architecture offers a huge native ISO range of 100-25,600, expandable to 102,400, making it possible to capture clean, high quality pictures, even in extreme low-light conditions.
The EOS 5D Mark III utilizes the same 61-point wide-area AF system as the flagship EOS-1D X, providing exceptional sensitivity, precision and speed. One of the most advanced AF systems currently available, it features an impressive 41 cross-type points and five dual cross-type points, providing unsurpassed accuracy across the frame. The customizable AF pre-sets introduced in the EOS-1D X are also available, helping the capture of traditionally challenging subjects, and providing additional reliability in situations where subject movement can be unpredictable.
Highly accurate exposures are provided by Canon’s acclaimed iFCL metering system, which incorporates a 63-zone Dual-Layer sensor linked to each point of the AF system. Focus information gathered from the AF system is analyzed alongside color and luminance signals measured by the metering sensor itself, enabling the EOS 5D Mark III to deliver consistently accurate skin tones and excellent results in a wide range of shooting situations.
Creative performance without compromise
The EOS 5D Mark III features Canon’s latest DIGIC 5+ image processor, which powers a range of new functions without affecting the camera’s performance. 14-bit A/D conversion provides smoother tonal gradation and transitions between colors, while in-camera HDR shooting combines three different exposures and allows one of five preset tone maps to be applied, enabling photographers to capture all the detail in high contrast scenes. With in-camera RAW processing and editing capability, photographers also have the option to immediately begin post-processing their images while still on a shoot.
The increased power of DIGIC 5+ also enables a range of tools which contribute to higher image quality. Lens peripheral illumination correction, Lens chromatic aberration correction (lateral and axial) and high ISO noise reduction are all performed in-camera without affecting performance, allowing photographers to continue shooting without any camera lag. Additionally, in-camera image rating via a dedicated button makes it easy for photographers to organize images ahead of post-production.
The EOS 5D Mark III features a new Creative Photo button, which enables users to quickly select Picture Styles and capture multiple exposures, as well as offering direct access to the HDR shooting mode. In playback, pressing the Creative Photo button displays a new comparative playback function, displaying two images side-by-side to allow photographers to view, magnify and compare the quality of different exposures mid-shoot.
For situations where photographers want to avoid being noticed, such as weddings, the EOS 5D Mark III also features a new silent shooting mode that dramatically reduces the sound of the shutter and mirror, ensuring they can work quietly in the background. A continuous silent mode is also available, enabling photographers to capture fast moving subjects without attracting attention.
Next generation EOS Movies
The EOS 5D Mark III builds on the reputation of the EOS 5D Mark II, with a range of new features introduced following feedback received from photographers to provide even better Full HD video performance. As well as offering the depth-of-field control loved by video professionals, the new full-frame sensor combines with the vast processing power of DIGIC 5+ to improve image quality by virtually eradicating the presence of moiré, false color and other artifacts. The addition of a movie mode switch and a recording button also offers greater usability, enabling videographers to begin shooting immediately when movie mode is engaged.
Additional movie functions include manual exposure control and an enhanced range of high bit-rate video compression options, with intraframe (ALL-I) and interframe (IPB) methods both supported. Variable frame rates range from 24fps to 60fps, and the addition of SMPTE time code support provides greater editing flexibility and easier integration into multi-camera shoots. Users can also check and adjust audio during recording via the camera’s Quick Control screen and a headphone socket enables sound level monitoring both during and after shooting. Enhanced processing power provided by DIGIC 5+ also makes it possible to conveniently trim the length of recorded movies in-camera.
Professional build, Easy Operation
The EOS 5D Mark III has been built to offer photographers easy-handling and robust build quality. Its lightweight, high-grade magnesium body offers advanced weather proofing for protection against the elements, while the construction of the shutter has also been reinforced, with 150,000-cycle durability making it ideal for repeated, everyday use. An enhanced version of the Intelligent Viewfinder featured in the EOS 7D offers approximately 100% coverage, as well as an on-demand grid display via the built-in transparent LCD.
The same reinforced 8.11cm (3.2″) Clear View II LCD screen as used by the EOS-1D X provides high quality framing and playback in all conditions. 1,040k-pixels provide the resolution to accurately check image sharpness and focus, while the gapless structure design introduced with the EOS-1D Mark IV prevents reflections and protects against dust or scratches. A headphone socket and locking mode dial have been included, while the inclusion of a UDMA 7-compatible CF card slot plus an SD card2 slot enables shooting to both cards simultaneously, auto switching when the one in use becomes full and the option to copy images from one card to the other in-camera.
Digital Lens Optimizer – new in Digital Photo Professional v3.11
The EOS 5D Mark III comes complete with the most advanced version of Digital Photo Professional (DPP) yet – Canon’s free, in-box software enabling high-speed, high quality processing of RAW images. New in DPP v3.11 is Digital Lens Optimizer – a revolutionary new tool designed to drastically improve image resolution.
Digital Lens Optimizer (DLO) precisely imitates lens performance, with a series of complex mathematical functions replicating each stage of the journey of light through the optical path. Using this information DLO can correct a range of typical optical aberrations and loss of resolution caused by a camera’s low pass filter, by applying an inverse function to each shot to take the image nearer to how the scene appears to the naked eye. This creates exceptionally detailed, high-quality images with highly manageable file sizes, providing photographers with maximum image quality and greater flexibility.
EOS System compatibility
As part of the EOS System, the EOS 5D Mark III is immediately compatible with over 60 EF Lenses, including the EF 24-70mm f/2.8L II USM – the new, essential wide-angle zoom lens from Canon’s famous L-series. The camera is also compatible with a newly announced range of accessories designed to offer extended creativity, including the Speedlite 600EX-RT – a high performance TTL flash with wireless radio connectivity. Additionally, the new Battery Grip BG-E11 offers greater handling flexibility alongside the ability to double the camera’s battery life.
Optional Battery Grip
The optional dedicated Battery Grip BG-E11 (not included) features buttons and a multi-controller. It delivers seamless performance regardless of whether the camera is in vertical or horizontal orientation. The grip takes 2 LP-E6 batteries or an included AA battery magazine, and is useful in counter-balancing large lenses during handheld shooting.
61-Point high-Density Reticular AF, 41 cross-type and 5 dual cross-type points
Conclusion
While the key specification changes since the 5D Mark II largely just bring the Canon EOS 5D Mark III into line with Canon’s existing DSLRs, we’re impressed with the results from the new camera.
Raw and JPEG images have plenty of detail, noise is well controlled at the higher native sensitivity settings and color and exposure are generally very good.
Canon has also clearly put in a lot of thought about how enthusiasts use a camera, and the new HDR system is the best on the market. Images are generally well exposed, thanks to the iFCL metering, and the white balance and Picture Styles deliver the color and tones we expect from a top-end Canon camera.
While it may not have excited the photographic world in the same way that the Nikon D800 seems to have, the Canon EOS 5D Mark III is a very capable camera.
It suffers a little from the fact that the majority of the systems have been seen elsewhere in the Canon DSLR lineup, and therefore there is nothing really groundbreaking..
Image quality throughout the native sensitivity range is excellent, noise is well controlled and there’s plenty of detail. The AF system has been given a serious upgrade on what the Canon EOS 5D Mark II version has, and it puts in an excellent performance. Costing $3,499 for the body only, however, the price seems a little on the high side.
Canon EOS 5D Mark III Review
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All Images Taken with Nikon D700 & Nikkor AF-S 24-120mm f/4G VRII (N)
Universal Studios Singapore
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All Images Taken with Nikon D700 & Nikkor AF-S 24-120mm f/4G VRII (N)
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Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 120mm f/6.3, 1/200 sec. ISO-200
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 120mm f/5.6, 1/200 sec. ISO-200
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 120mm f/5.6, 1/160 sec. ISO-200
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 86mm f/5.6, 1/60 sec. ISO-200
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 120mm f/6.3, 1/125 sec. ISO-200
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 120mm f/7.1, 1/80 sec. ISO-200
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 120mm f/7.1, 1/160 sec. ISO-200
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 120mm f/6.3, 1/100 sec. ISO-200
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII @ 120mm f/6.3, 1/100 sec. ISO-200
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Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
Singapore Science Park : Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
The Fullerton Hotel-Singapore : Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
Esplanade-Singapore : Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
Merlion Park -Singapore : Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
Merlion Park-Facing Marina bay Sands Singapore :Nikon D700 & Nikkor AF-S 24-120mm f/4 VRII
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